I spotted this rug in a Tony Kitz ad on page 31 of Hali Issue 110 May - June 2000. It brought back memories of a Saturday morning program at the Textile Museum by Douglas and Helen Stock of D. B. Stock Antique Persian Carpets, Wellesley, Ma. At that talk I speculated that salt and pepper knotting as we see in the outline of the larger boteh is typical of older Kurdish rugs and possibly specific to Garrusi Bijari Kurds. This technique is not typical of Persian weaving as far as I can tell and I have only seen it in Kurdish rugs.

Over the years there has been a controversy over what is a Kurdish rug. I tend to take the inclusive view. Put simply a Kurdish rug is a rug woven by a weaver whose milk language is a dialect of Kurdish.

The other view point has been championed by Michael Wendorf. This argument is that Kurds may weave Kurdish rugs or they may weave non-Kurdish commercial rugs. Michael has presented this theory ever more eloquently over the years. I used to unfairly characterize Michael's argument as "I like Kurdish rugs so rugs I do not like are therefore not Kurdish". It was neither fair nor kind and I must note in Michael's rug morning at the TM he has tempered and refined his argument considerably.

I still disagree with Michael, I suggest that he takes a narrow viewed confined to a small group of related Kurdish dialect groups. I certainly respect the Kurdish homeland argument and the frequent references to both Ambasador Bill Eagleton and James Burns. So I mean in all respect that the Kurdish homeland argument makes for a beautiful target for collectors it is not nearly large enough to accurately represent all the various Kurdish peoples who weave rugs that I can only call Kurdish rugs.

I note that I had the chance to closely study a significant portion of the Wendorf Kurdish Rug collection a number of years ago as well as rugs that Michael purported to come from the Burns collection. So while I have not closely examined the Wendorf collection in a while I did see it at Michel's TM morning and many of the rugs were very familiar. Michael's collection is more of a statement of Michael's taste rather than a cross section of all Kurdish rugs.

I must also note that part of the confusion rests squarely on my shoulders. Early on I attributed too many rugs from the greater Hamadan region to the Kurds and I now think I was wrong.

I added this because I thought it was a nice Kurdish guard border pattern.


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Thanks and best wishes,

J. Barry O'Connell Jr.

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